TheDefendersOnline.com: RingShout Salon - Push, Erasure, and Precious
An edited version of this appears on TheDefendersOnline.com.
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On December 6, 2009, the founding members of RingShout: A Place for Black Literature hosted a literary salon. The topic of our discussion: The Presentation of Black Pathology in Books and Film. The narratives: Erasure by Percival Everett and Push by Sapphire. The film: Precious. Our special guest, the woman who braved the first Brooklyn cold snap of the season to take on our heated discussion: Lisa Cortes, Executive Producer of the movie that has left some viewers in horror, others in tears, and gotten everyone talking. Or aim: To elevate the discourse around the movie, the novel, and, of course, that now infamous bucket of fried chicken.
RingShout founding member Martha Southgate suggested this salon topic about two months before the release of Precious. She thinks that Everett’s Erasure is a powerful response to books like Sapphire’s, which earned the poet turned novelist a $500,000 advance and was excerpted in The New Yorker when it was published in 1996. Because Everett’s novel takes on the publishing industry’s response to books that explore Black pathology, Southgate believes the two should be read together.
Aiming for an inter-textual reading meant the discussion would examine the conversations the novels have with each other. What does Erasure say to – and about – books like Push? Another question on the minds of the 30 or so artists, writers, filmmakers, and educators who attended our salon was, what does the success of Push say to – and about – African Americans who explore other aspects of Black life through their work? While we discussed many of the responses to Precious that lit up the blogosphere since the film’s November release, as culture workers we tried to focus our discussion on the ways story-tellers and image-makers bear witness to things that hurt us most. How do we present our most painful truths?
Some in the blogosphere have suggested stories like Push shouldn’t be told at all. Most who spoke up at our RingShout salon would disagree. The issues, for us, were how these narratives are marketed and what the response of the reader / audience to this particular novel turned film means.
There was more general agreement that Push should not be confused with Street Lit, as it expressed a level of ambition and interiority that Street Lit lacks. The reader gets to know Precious – and what motivates her, how she feels, her interior space. All at the RingShout salon also agreed that Push doesn’t quite fit in the Black female literary canon either.
One important flaw cited by Southgate, who moderated our discussion of the novel, raised the question of Sapphire’s erasure (no pun intended) of other characters’ backgrounds and motivations. What did Precious’ abusive parents experience before she was born? Were they molested or otherwise abused? Unlike Cholly in Toni Morrison’s The Bluest Eye and Mister in Alice Walker’s The Color Purple, Precious’ father is a flat character that becomes a type. Even Precious’ grandmother and abusive mother are under-developed in the novel.
Two people at the salon suggested that, despite any flaws they might have, financially successful books like Push might provide the industry with resources to support lesser-known literary achievements like Everett’s Erasure. Yet Erasure was very difficult to buy in time for the salon while Sapphire’s novel was prominent in bookstores and easy to purchase online.
Donna Grant, who has co-authored seven books with Virginia DeBerry, spoke movingly about the publishing industry. Grant said she liked Precious and added “I'm a fan of Push as well. But there are many engaging, thought provoking stories that are not at the extremes.” Grant spoke from experience, and is able to bear witness to the experiences of other contemporary Black women writers who have found it increasingly difficult to tell stories about Black life that don’t express (or exploit) pathology or hyper-sexuality. At our salon, Grant asked what the awards for and marketing behind Precious really mean for other writers. If the gatekeepers in books and film only allow one type of African American narrative to achieve critical and financial success like Sapphire’s, what does that say about our place in American society?
Lisa Cortes did speak about the lack of diversity in American film. She said that “in 2009 there were two Tyler Perry movies and Precious – and that’s it.” Certainly, she said, more of our stories – more kinds of Black stories – need to be told.
Filmmaker, author, and RingShout co-founder Bridgett Davis asked Cortes about her personal imprint on the film. Cortes spoke about creating a healthy and nurturing environment for lead actress Gabourey Sidibe on set. She also insisted Sidibe look attractive, with hair done neatly, onscreen. That led some at the salon to question the decision to cast Paula Patton as Blue Rain, Precious’ teacher, as she is described in the book as having long locks and a less tailored appearance. Cortes said Patton is an actress she and director Lee Daniels wanted to work with - and added that Patton’s image, because she is conventionally pretty, is a good one to resist stereotypes about what a Black lesbian looks like.
Helen Mirren was originally on tap to play the social worker Mrs. Weiss but was pulled into another project. Cortes spoke honestly about the decision to cast Mariah Carey in her role, because she brings her huge fan base with her, wanted to work on a serious project, and helps raise an interesting issue of racial ambiguity in the film.
Much of the criticism of Precious has focused on casting. Vassar film professor Mia Mask asked Cortes what she should say in response to her students who complained that darker-skinned characters are villains and lighter-skinned characters act as heroes or saviors in Precious. Mask started a student-faculty group on her campus last year that addresses issues of interest to people of color called The Forum on Race and (Popular) Culture. She had scheduled a late-semester meeting of this group, which members of the Vassar community across all racial lines attend, to discuss Precious, and she told the 40 or so people gathered on campus that, at the RingShout salon, “Cortes said the other young women in the film (at Each One, Teach One) were women of color and of various complexions and backgrounds. These characters were all helpful to Precious and positive figures in the story. Lisa [Cortes] reasoned that Precious had a variety of kinds of people in her life who were positive people of color.”
At Vassar, Mask said, “Even with these explanations, student and faculty reactions were mixed. Some were satisfied, many others were not. Folks were looking around the room rolling their eyes. One of my colleagues said he thought the filmmakers made a poor decision with these casting choices because they simply reinforced stereotypes. Several students agreed. A few scoffed at the idea that Mariah Carey added box office draw given lack luster movies like Glitter. Then we moved on to discuss the abuse, [including] the way food was part of the abuse.”
At the RingShout salon, Southgate asked Cortes about the oversized bucket of fried chicken Precious steals in the movie – but is a smaller portion in the book. Of course food is generally associated with warm sustenance and the nurturing aspects of home life. In Push, however, food is a weapon used to abuse the female protagonist. Cortes said she wanted to express the smells in Precious’ abusive household. She wanted the audience to sense how the apartment where Precious experiences so much pain feels – greasy and sticky to the touch. The oversized bucket of chicken symbolizes the abundant pain Precious endures.
Chicken as trope rooted in tired stereotypes or chicken as familiar image used to present fresh ideas? Of course, each viewer must examine the art Cortes produced and interrogate not only the filmmaker’s presentation of Precious’ life, but one’s own, personal response to the unrelenting abuse portrayed onscreen.
As awards season approaches, we only hope RingShout helped contribute to the public conversation around this challenging film. More discussions like ours and the one held at Vassar need to take place. Southgate, who opened her home for the event, said "I was pleased to find that the temperature of the discussion stayed reasonable, thoughtful and persuasive. I found my own hardened opinions, particularly about the novel, softening a bit. It was great to have such a diversity of views."
The DefendersOnline.com: Fania Davis and RJOY - "No Word for Prison"
An edited version of this blog post appears on TheDefendersOnline.com.
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What does a woman do after coming-of-age in Birmingham in the 1950s, after losing two friends in the 16th Street Baptist Church bombing that killed four little girls in the 1960s, after helping free a sister from the clutches of the FBI’s Most Wanted List during the height of Black Power in the 1970s? What does she do after advocating for the end to Apartheid in the 1980s, after working as a Civil Rights trial lawyer through the 1990s? For Fania Davis, the answer is simple: Continue the fight by helping to increase the peace.
An Oakland, California based lawyer and professor with a Ph.D. in indigenous studies, Davis is co-founder and Executive Director of Restorative Justice for Oakland Youth (RJOY). RJOY’s mission is to “to fundamentally shift the way we respond to wrongdoing” by giving young people the tools they need to resolve conflict in holistic ways.
Davis’ sister is Civil Rights icon Angela, and her daughter, Eisa Davis, is a Pulitzer Prize nominated playwright and Obie Award winning actress. Fania Davis helped establish RJOY in 2004 after apprenticing with traditional healers around the world, particularly in Africa.
By bringing young people who are in conflict into a circle that implements restorative justice, RJOY has reduced suspension rates by 75% at one low-income Oakland middle school. In that same public school, RJOY helped eliminate violent fighting and expulsions.
According to Davis, in most traditional languages there is no word for prison. Meanwhile, our land of the free has the highest incarceration rates in the world. If current trends do not change, one out of every three Black men born today can expect to spend some time in prison. RJOY’s mission can help free our young people. Read on to learn the new, old, way of thinking about conflict, retribution, and personal liberation.
1. What is Restorative Justice for Oakland Youth (RJOY) and what does it aim to do?
Punitive school discipline and juvenile justice policies in the nation have the unintended consequence of setting into motion tragic and persistent cycles of increased incarceration and violence, increasingly unsafe communities, and wasted lives. Ours is a system that tends to harm people who harm people to show that harming people is wrong.
RJOY is an Oakland, California-based non-profit group which works to interrupt these devastating cycles by promoting systems-based shifts toward restorative, data-driven approaches which will repair harm instead of replicating it and which will create a more effective and fair justice system. Combining its expertise in research, training, technical assistance, and launching demonstration projects, RJOY helps a consortium of more than 42 government and community leaders in the San Francisco East Bay move from a juvenile justice system that causes more harm to one that repairs it.
Rather than focus on who broke the law and what punishment is deserved, restorative approaches create opportunities for active community engagement to repair harm, address root causes, and meet victims' needs, while promoting youth accountability and growth.
RJOY works in a metropolitan area that is predominantly African-American, Latino, and Asian. Restorative juvenile justice holds great promise not only in lowering overall rates of incarceration and recidivism but also in helping to eliminate unequal treatment of African Americans and Latinos. New Zealand's juvenile justice system adopted a nation-wide restorative approach in 1989 (utilizing some of the same models being used in RJOY's demonstration projects), and today, juvenile incarceration is virtually obsolete. 70% of youth participants have no further contact with the justice system. Youth lock-up facilities are being shut down. The restorative system is also remedying the once pervasive problem of disproportionate incarceration of indigenous Maori youth.
Shifting the locus of the justice project from the courts and systems to families and communities, restorative measures tend to challenge hierarchies of power, whether based on race, professional elitism, or other factors. The power to respond to wrongdoing lies in the hands of those affected -- including the young person causing the harm, the person harmed, their families and members of their communities. Restorative approaches tend to collapse the divisive "us versus them" mentality and flatten the power structure that perpetuates the psycho-social basis of racist stereotyping and unequal treatment in our justice system. The process of bringing people together in face-to-face encounters also inherently reduces the "otherizing/demonizing" of young people of color that our adversarial criminal justice system tends to foster.
2. What in your professional and/or personal background led you to this program? Why are criminal and social justice so important to you?
Looking back, I see my life as sort of a quest for social transformation. Born in Birmingham, Alabama when apartheid-like conditions prevailed, I came of age during the social ferment of the civil rights era. I come from a lineage of activism -- my mother was involved in the Scottsboro Brothers case, the unemployed councils of the 1930’s, the Southern Negro Youth Congress and other progressive movements of her time. The Ku Klux Klan murdered two of my close childhood friends in the Sunday School bombing in 1963. This horrific event crystallized within me a passionate commitment to social justice, and, for the next decades, I was active in the civil rights, Black students’, women’s, prisoners’, peace and anti-hate violence and anti-apartheid movements.
I also helped lead the international movement to free my sister Angela, who, based upon her radical activism, was falsely accused of murder and conspiracy to murder in 1970. Witnessing the remarkable lawyers on her defense team led me to the decision to pursue a legal career. After receiving my law degree from UC Berkeley, I practiced in the Bay Area as a civil rights trial lawyer specializing in employment discrimination.
However, by the mid-1990’s, after a lifetime of following the way of the warrior, I began to feel out of balance. I yearned for more healing, spiritual, and feminine energies to counterbalance the hyperrational, hypermasculinist and bellicose qualities I’d been compelled to cultivate as trial lawyer and activist. Serendipitously, I entered a Ph.D. program in Recovery of Indigenous Mind at the California Institute of Integral Studies and apprenticed with traditional healers around the globe, particularly in Africa. Not long after returning, I learned about the field of restorative justice. This was an epiphany. This new approach to justice – rooted in ancient indigenous processes – allowed integration of the healer and warrior and the spiritualist and activist within me.
3. In what ways do traditional constructions of criminal and social justice differ from our Western approach to law and order?
Traditional and modernist constructions of justice differ in a number of ways. I’ll address three principal ways. Of course, restorative justice is a contemporary iteration of indigenous justice.
First, a communal and participatory ethos pervades indigenous justice approaches. Indigenous justice proceedings tend to involve an expansive range of participants. All affected persons are actively engaged—each of the parties in conflict, their extended families, traditional elders, and community members at large. The process tends to be consensus-based and more egalitarian than hierarchical. On the other hand, in modern justice proceedings, the range of participants is quite restricted, typically limited to the two sides in conflict, along with a group of justice professionals who dominate the proceedings. Crime is impersonally viewed as an offense against the state rather than as an injury to a person or to relationships. The victim is usually excluded, except as a witness to support the “state’s” case. Offender-focused, modern justice asks: What law was broken, who broke it, and what punishment is deserved?
Ancient justice—and this applies to restorative justice too—is inherently more democratic and inclusive, actively engaging everyone affected by the wrong doing. It shifts the locus of the justice project from courtroom to community. It is balanced and wholistic, giving equal attention to victim’s needs, community interests, and offender accountability and growth. It asks: Who was harmed, what are the needs and responsibilities arising from the harm, and how do all affected collaboratively figure out how to repair it and prevent recurrence?
A second major difference between modernist and indigenous constructions of justice is that, while the modern adjudicative process is based upon interpretation and application of written rules, regulations, procedures, and statutory and common law, indigenous justice decision-making is grounded in values, history, proverbs, and other cultural teachings handed down through oral tradition. Additionally, though modern justice forbids prayer and spirituality, based upon the doctrine of separation of church and state, indigenous justice intentionally relies upon prayer, ceremony and ritual. For instance, prayer may be offered and libations poured to open the process and to invoke the assistance of the ancestors or other supernatural beings, and to create an atmosphere of reconciliation, healing and unity. The process usually closes with a feast or other ceremony to celebrate reconciliation, to invoke the continued assistance of the supernatural and the community in keeping the peace and enforcing the decisions reached. Also, indigenous justice’s solutions often involve taking spiritual action to restore balance within individuals and communities. For instance, traditional approaches were used in post-conflict Mozambique in the early nineties to heal trauma and reintegrate child soldiers back into the community. How does this apply to a contemporary U.S. urban context? We are successfully using Peacemaking or Healing Circles to address conflict and wrongdoing in Oakland’s schools, justice system and communities. These are values-driven and consensus-based processes in which ceremony, truth-telling, and relationship-building exercises figure prominently. For example, depending on their expressed cultural preferences, Circle participants may choose to open and close a Circle with meditation, breathwork, a quote, or a prayer. We usually also use a talking piece. This allows us to move into a sort of respectful and sacred space which promotes a sense of closeness, interrelatedness, and of being together in a good way - a way of being together that is different from our ordinary daily interaction. It’s important to note here that any sort of spiritual activity utilized is not imposed upon participants – it would organically arise out of participants’ cultural preferences and choices.
A third major difference is in overarching aims. In indigenous justice, the focus is on repairing and rebuilding relationships with the intent of bringing reconciliation and social harmony. It seeks to strengthen relationships and bring about healing: Justice is a healing ground, not a battleground. Punishment as we know it today was the exception rather than rule. Reconciliation, not punishment, was the overarching concern. Indeed, in most indigenous languages, there is no word for prison.
If you stole something or hurt someone then, you would pay restitution—for instance, in Africa, maize, palm oil, chickens, goats, cows. Since your family has to pay, you are subjected to the sanction of your family, exerting a corrective influence. Your wrongdoing is shamed—the act, not you. You are urged to empathize with your victim, to acknowledge the wrong, apologize, make amends, and ask for forgiveness.
Of course, this contrasts sharply with our modern justice system whose approach is to isolate and eliminate alleged wrongdoers from the community by incarcerating them. The retributive essence of modern justice has spawned the highest absolute and per capita incarceration rates in the history of the world. We spend far more on incarcerating youth than on educating them. We sink endless resources into abysmally failing systems. In California, youth formerly incarcerated in state institutions have a 91% chance of re-offending within one year. The retributive approach has created a system where Black Americans, 13 percent of the population, constitute 50% this country’s prisoners. Where blacks are incarcerated at over eight times the white rate. This is a system, which, based on its eye for an eye and tooth for a tooth mentality, is devastating our communities, leaving them blind and toothless, to paraphrase Mathama Ghandi. And manless, if you will.
4) What main principles should we know and understand that are rooted
in the ontology of native peoples?
Traditional view of justice focuses is on a language of healing rather than a language of revenge. Many native cultures see wrongdoing as a misbehavior which requires a lesson.
There is also a focus is on the interrelatedness of all people and actions.
RJ assumes that humans wish to be connected with other human beings. There is the assumption that all people value honesty, responsibility, respect, and hearing each other’s point of view.
I recommend picking up The Little Book of Circle Processes by Kay Pranis and Returning to the Teachings by Rupert Ross for more in depth looks at the ontology of native peoples as it relates to justice.
5) Is it possible to apply these ideas, which come from smaller, more homogenous societies, to our own, vast and diverse America?
We don’t seek to try and replicate the way indigenous justice was done. However, I think we can extract underlying principles and apply them to local contexts, tailoring each program to respond to local needs.
In our first school pilot, we successfully used Peacemaking Circles and Family Group Conferences in the context of a middle school located in a low-income neighborhood and high stressor police beat of Oakland, comprised of approximately 75% African American and 23% other people of color. As stated above, we were able to reduce the suspension rate by more than 75% and eliminate violent fighting and expulsions.
Our pre-adjudication Restorative Group Conferences and post adjudication Circles of Support and Accountability (COSA’s) all involve youth and families of color. Circle and Conference participants meet in community centers, churches, and in the dining rooms and kitchens of the youth involved.
Restorative justice practices are premised on family and community self-determination and empowerment models, models that lend themselves well to adaptation. Even in countries where restorative justice is practiced nation-wide (as in New Zealand), local organizations and family members carry out the community conferences, allowing for maximum local flexibility. Family and community members take ownership of the process and are actively engaged in it.
7) Please describe the way RJOY looks when it is implemented in the Oakland schools.
RJOY’s objective is to enhance the capacity of parents—particularly those with children at pilot schools and in the juvenile justice system—to use reconciliation processes as a means of engaging conflict and reducing violence in homes and communities. We work with parents and families in our Restorative Group Conference (RGC) diversion pilot, our Circles of Support and Accountability (COSA) post-adjudication pilot, as well as in our school program.
RJOY has trained more than 125 OUSD teachers, parents, and administrators. In order to facilitate the implementation phase at the additional sites, RJOY also offers continued training and technical assistance. Additionally, we are developing a collaborative project with Oakland’s Parks and Recreation Office to train and offer technical assistance to their staff in peacemaking circles.
8) Are there any changes in the schools that can be measured or tracked since RJOY began? Has, say, the violent assault rate diminished in Oakland schools that use RJOY?
During the 2007- 2008 school year, RJOY’s school pilot at West Oakland’s Cole Middle School drastically reduced Disciplinary Hearing Panel (DHP) referrals to zero while improving overall school climate. No youth participating in peacemaking circles on an ongoing basis has been expelled. There were no violent fights, and suspension rates were reduced by more than 75%. Notoriously high in previous years, teacher attrition rates were reduced to virtually zero as well. Cole’s successes generated such enthusiasm that in May 2008, nearly 20 OUSD schools expressed interest in launching restorative programs at their sites. We have started new pilots at two Oakland high schools and are training staff and students at additional sites.
9) Do you have any anecdotal stories of success with RJOY?
In our Circle of Support and Accountability (COSA) pilot program, which assists previously incarcerated youth in re-integrating into their communities, we had great success with Dante Green, which did not go unnoticed by local media. Before Dante was released from a juvenile detention facility in mid-November 2008, RJOY formed a COSA, comprised of Dante’s great-grandmother, his sister, two community members (including a retired African-American banker and mother of four successful boys), along with two RJOY members, one of whom is the primary facilitator.
Dante had been in and out of lock-up facilities approximately ten times during the last few years. Offenses were robbery and theft. Since November, the COSA has met more than 30 times on a regular basis, actively assisting Dante in staying on the path of becoming a positive, contributing member of his community.
Dante has not only stayed trouble-free, but has successfully completed his GED. In January 2009 he enrolled full-time in a community college and has completed the semester with a 3.75 GPA. For the first time in his life, Dante has begun to explore career directions and college and post-graduate options. He is working full-time as well. Another first is that we have seen him develop the capacity—and hopefully the life-long discipline—of making healthy and positive life choices.
10) Do things like nutrition and exercise help achieve greater balance and less conflict in schools?
While RJOY does not work on nutrition and exercise, we believe that a diet low in sugar, and unprocessed foods, and rich in organic whole grains, fruits and vegetables is healthier for children. We also believe that mind/body awareness exercises such as yoga, Chi Gung, and meditation can be important tools for youth to prevent and cope with conflict.
11) In what ways can others implement this program in their own schools, communities, or homes?
RJOY is in the process of writing a publication that contains a “How To” manual for
implementing the program that was so successful at Cole Middle School. We
recommend that school administrators and teachers attend a training at an RJ/peacemaking organization. RJOY and others offer these trainings during the year, and RJOY offers technical assistance for schools that are interested in incorporating some of these practices.
12) America has the highest incarceration rates in the world. Why? Can the ideas fundamental to RJOY help achieve greater balance and less conflict at the national level here in the US?
I am not sure I could fully answer this in an interview, but I will share some ideas about this. I believe that many Americans define justice as punishment, which creates more pressure to fight crime with longer and harsher sentences. Politicians and law enforcement agencies fear being charged with being “soft on crime,” which makes RJ controversial for political actors. There is also the issue of whether people believe that those who have committed offenses are capable of changing. Some people believe that those who commit crimes are merely “bad people” who cannot change and therefore need to be removed from society. There is talk that certain lobbying groups (such as correctional officers unions) have pushed for more prisons. However, it is unlikely that these unions would be as influential as they are if it were not for the fact that, in general, people associate public safety with more prisons and longer sentences.
An important way to promote RJ in the school and justice system is to expand the discourse and raise awareness of alternative ways to proceed in our justice system. The evidence and models for success are out there. We believe that RJ can help create smarter sentences and help reduce recidivism.
Ratner's Atlantic Yards Project Would Destory Homeless Shelter - Councilmember Letitia James and Singer Crystal Waters Fight Back
The following all comes from Develop Don't Destroy Brooklyn:
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Develop Don't Destroy Brooklyn Newsletter
January 15, 2010
Saturday, Jan 16, 2pm.
Letitia James Urges Your Attendance at Press Conference To Keep Homeless Family Shelter Open
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Councilmember Letitia James has been the leading, and fearless, political opponent of Atlantic Yards all these years. She has consistently stood with the community's opposition to the project. Today she asks you to stand with her, and your neighbors, as she demands that Ratner and Barclays do not cruelly and prematurely close the homeless family shelter in the project footprint.
PRESS ALERT FROM Councilmember Letitia James:
Pop Star Crystal Waters comes to Brooklyn this Saturday To Help City Council Member Letitia James Convince the City To Keep a Homeless Family-shelter Scheduled to be Closed by the City on Martin Luther King's Birthday, Open Until Spring
The shelter is slated to be demolished for a parking lot for Barclays Bank's Barclays Center sports stadium construction vehicle parking. Crystal Waters’ hit, She's Homeless, will be performed in protest of the shelter closing and this massive development project
WHEN:
Saturday, January 16, at 2pm
WHAT:
Pop Star Crystal Waters in Brooklyn to support City Council Member Letitia James and homeless families. Her hit, She's Homeless, will be performed 2pm.
WHO:
Singer Crystal Waters, Council Member Letitia James, Senator Velmanette Montgomery, residents, and homeless advocates
WHERE:
Freddy's Bar, 485 Dean Street in Prospect Heights - Corner of 6th Avenue - (718) 622-7035 - (2or 3 to Bergen St. Station)
(Brooklyn, NY) - Crystal Waters, whose 1990s hit song “Gypsy Woman” is about a homeless woman that sings for her supper (“la da dee laa da da”), is coming to the Barclays Center/Atlantic Yards project site this Saturday to help homeless families in Brooklyn by fighting to keep a crucial family-shelter open, which is located in the footprint of the proposed Barclays Center/Atlantic Yards project.
“I don't know which is colder, Brooklyn in January through March, or what the Barclays Center/Atlantic Yards project and the City and State of New York are doing to the homeless families on January 15. Keep this shelter open till it's warm out,” said Council Member James.
The shelter has beds for 88 families, ranging from couples to families with small children. It is scheduled to be shut down by the City of New York, and condemned by eminent domain at the request of Barclays Bank's Barclays Center (a basketball arena), and its developer Bruce Ratner on January 15. Since Barclays is in England, and has no branches in New York, Crystal Waters (who performs frequently in England) is asking Barclays Bank to have a heart and request that the City keep this shelter open, at least until the spring - so that families who become homeless in New York’s cold winter will have access to an indoor place to sleep. During these hard economic times, let’s consider all homeless individuals, especially the many families and children who are struggling.
The City claims that families currently residing at the Pacific Avenue and Dean Street homeless shelter will be relocated. Even if the claim is to be believed, this is not the point. New York’s shelter system will still lose beds and facilities for homeless children and their parents who will need shelter from the cold, specifically during the harsh New York winter. The Barclays Center, (whose owners have decided a parking lot for its construction vehicles is more important than Brooklyn’s homeless families) is slated to be used as an arena for the New Jersey Nets, (some think the Nets is the worst team in the NBA; the team was purchased in 2009 by Russian billionaire Mikhail Prokhorov). And, even the City’s Independent Budget Office has found that this publicly subsidized arena would be a net financial loser for New York City if built.
“Owners of the Barclays Center/Atlantic Yards project are forcing the City to close this critical family-shelter, and allowing the state to take it by eminent domain in the dead of winter, and on the Martin Luther King Jr. Holiday weekend. This is absolutely wrong and unnecessary. The community believes that nothing at all will be built in place of this homeless shelter - possibly for years and decades…if ever. Taking away beds for our City’s most vulnerable residents is simply unconscionable,” said Council Member James.
Ms. Waters will perform her song, "Gypsy Woman (She's Homeless)", with local homeless people to raise awareness of what owners of the Barclays Center are doing, and to encourage Barclays Bank to ask the City and State to keep the shelter open until Spring, when the weather warms up. The press conference and performance will be at Freddy's Bar, which is itself fighting eviction because of the Barclays Center/Atlantic Yards project.
Crystal Waters Gypsy Woman (she's homeless)
http://www.youtube.com/watch?v=_KztNIg4cvE
Photo of the shelter
http://www.flickr.com/photos/tracy_collins/4158273109/in/pool-atlanticyards
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